Back to School/Off to College 2025
Design
Back to School/Off to College 2025

Amazon’s Back to School/Off to College campaign is an annual shopping event geared at getting kids and college students across all ages and stages of their education ready to return to classes and or move into college housing. Working under the creative team for North American Stores, I worked on delivering on-site and off-site traffic drivers across multiple channels, each geared at driving customers to get to where they need to find and buy essentials for the upcoming school year. Under this year’s event, the team has elevated our approach in visual storytelling with carefully curated ASINs, scaling up the amount of motion assets produced, and implementing CGI rendered scenes and single product shots to create high resolution product imagery. Within our department, the team scaled our CGI approach to also create motion assets via frame animation that were introduced for the first time and seen on Amazon’s Homepage, the event shopping pages and outbound within Seasonal event emails and push notifications.

Assets seen on this page underwent a thorough internal review process by multiple levels of stakeholders to ensure tenets such as creative quality, verbiage, accuracy of price points and product availability were met. With campaign assets spanning from June through September 2025, the Back to School and Off to College on-site traffic drivers ran alongside summer events such as the 4th of July, Labor Day sale, with some overlap with Halloween during the last weeks of the event, positioned for last-minute school shopping.

Setting the scene

Across the event, I was responsible for owning all static Desktop Homepage heroes and Window Display placements for Back to School, a few motion Desktop heroes and Video Player Cards and “below-the-fold” Quad Cards for the Off to College event. 

Long form image showing the vertical length of the webpages on desktop
Five reasons to raise the minimum wage to a living wage
Slightly rotated webpages from The Nature of Plastic website
Five reasons to raise the minimum wage to a living wageFive reasons to raise the minimum wage to a living wage

For the Off to College Quad cards, CGI renders were made for a single ASIN product to create accurate representation of specific ASINs from either a topdown or into view, containing realistic lighting and shadows. Saved as transparent images, the ASINs were then scaled and arranged next to the other with flexibility. 

Slightly rotated webpages from The Nature of Plastic website
Mobile screens shown using a variety of color and layout with type and image
Gearing up for the next grade

In owning the shopping widgets for both the Back the School and Off to College shopping hubs, assets were approached with balancing out the use of color and finding logical instances to sprinkle in motion through product swaps, lighting changes in scenes and easing transitions between one ASIN from another in select visual navigation tiles. Similar to homepage, CGI generated imagery and scenes were introduced for the first time across the event hubs with the goal of building customer trust and improving product discoverability directly across category pages.

Slightly rotated webpages from The Nature of Plastic website
Slightly rotated webpages from The Nature of Plastic website
Mobile screens shown using a variety of color and layout with type and image
Star-student material

Outside of Amazon, Emails and Push notifications were sent out to eligible customers to drive them directly to curated category pages or filtered versions of the page by price or shopping by grade. A combination of CGI, editorial shot and PDP images were leveraged in designing sections of the emails, while Push notification images embraced produced motion GIFs and laydown designs to align with what was being shown on-site.

Slightly rotated webpages from The Nature of Plastic websiteSlightly rotated webpages from The Nature of Plastic website
Mobile screens shown using a variety of color and layout with type and image
Credits
Role: Design, Multi-channel
VP, U.S. Prime and Marketing Tech Carmen Nestares
Head Marketing Direction Allie Oosta, Jenn Anthony King
Executive Creative Direction Heidi Ware
Always Ready Allie Boisvert, Meredith Abbott, Claire Moyle
Creative Direction Wendy Liu
Design Direction Christina Barton
Design Grace Martinez, Tania Velin, Matthew Garber, Jacob Norwood, Cierra Smith, Danielle Burrows, Ozge Goyurek, Maddy Subbarao, Teni Melkonyan
Copy Sarah Sawyer, Daniel Kovalev
Creative Project Management Jonathan Huebsch, Jemell Tatum
Marketing Amanda Ogren, Alexis Smith, Lauren Pratt, Isabelle Georgenson, Todd Musgrove, Stephanie Buckwalter, Stephanie Danner, Kristen Johnson, Kyla Callaway, Sarah Cohen
Curation Claire Jameson, Nicole Clancy, Olivia Fernandes, Paige Wales
(H3) Credits
The Shorty Awards 2022, Audience Honor in Instagram, Winner
The Webby Awards 2022, Social Diversity & Inclusion, Nominee
The Webby Awards 2022, Social Public Service & Activism, Honoree